Despite a late start, rethinking of my colorway and threads, and taking over as babysitter/preschool teacher for the past 2 weeks, I have finally caught up on the 2020 SOTM. I’m using stash and the same overdye in both colorways since it has both blue and burgundy. I was surprised I was able to find everything I needed in my stash.
Diane’s thru April
I’ve been able to stitch a little during “quiet time” and was very happy when my grandson wanted to sew with me. He made presents for his mom and his dad and has started one for himself. Fortunately I had cleaned up enough to locate some plastic canvas and a large needle!
Stay healthy and keep stitching.
On Monday, the last day of Seminar, I took Cynthia Thomas’ Thread and Stitch Manipulation class. The main purpose of this class was to look at basic stitches we all know and see how you can manipulate it. For each stitch, we were to look at changing/adding one element at a time – color, orientation (vertical, horizontal, diagonal, oblique), spacing, size, etc. to see what effect we could have. While a relatively simple concept you would think, this was difficult for me to see on paper. I was able to create some potentially interesting stitches that I can play with. It was fun to look at what others were creating.
While I expected this to be just a notebook class, she did include canvas and threads for 2 ornaments – either Christmas or Halloween – and I chose Halloween. However, I decided to play with trying to modify stitches rather than actually stitching one of the ornaments, especially since all the stitches I was coming up with did not work with the threads in my kit. What a challenge it was thinking not only of the effect you want but what threads you need to create that effect as you design the stitches for a particular area.
I am very glad I took this class even though it meant 5 days of classes. It is triggering me to look at stitches differently and think about how I can really make a piece my own.
Overall, I had a great experience at this seminar, even though 5 days of classes in 5 days is very tiring In addition to the other seminar activities. I thought the hotel had great amenities and was well situated to find restaurants and a grocery store and talk walks in the evening. I loved the lazy river and hot tub and tried to enjoy them each day after class to work out the sore muscles from sitting in class stitching.
After leaving Seminar on Monday, I caught a bus to Austin to spend a day with my newest grandson before heading home. A win-win week for me!
As many of you know, I struggle with picking colors and understanding color value. Thus, I was eager to take Jennifer Riefenberg’s More Color Play. We did a lot of stitching today – mostly Scotch Frame – all with the same thread, while Jennifer explained how the background and thread colors appear to vary as they interact with each other. Add in a Woven Stitch in the middle of some of the Scotches in a different thread with a different color value and you get even more differences. I chose the warm (blue) colorway and it was interesting to compare the same canvas with those doing the cool (pink/red) colorway. The biggest stitching challenge was all the compensation as the kites are on different oblique angles. I am enjoying the simplicity of the stitching along with getting a better understanding of color and its interactions on a canvas. Here’s my Day 1 progress.
After a fun Fiesta banquet last night, i had day 2 of Toni Gerdes’ Abyss. Toni is an excellent teacher explaining each section, allocating time to practice the stitches in that section, letting the class know when there was about 5 minutes left on a section to allow time to finish a thread, double checking that everyone was in the correct place, answering questions,etc. i was impressed with how much progress I made on the piece even though when i look ati the photo, it doesn’t look like much. We focused on the right side today. The crescents were interesting shifting the focus of what was the inside as i moved from the left to right crescents. Toni spent a lot of time explaining howto do Bargello to get maximum thread pull and coverage. I think i may finally get it! At the end of the day we went over the background but i decided to wait until i could see where it really goes.
I enjoyed this class and love the piece. It is great to see how designers put stitches together and use colors and threads to create an effect as well as how different stitches can go together. While i have a bunch of other projects in progress, I’m hoping to get this one high on my list to finish!
After class, i worked at the Exhibit. There are some impressive pieces even though there seems to be fewer entries.
Tomorrow i start More Color Play.
Today was the first day of classes at the Houston ANG Seminar. I flew in yesterday along with Jill W and Robin M. The Marriott Marquis is a fabulous hotel and i hope to find time to enjoy all it has to offer along with all the Seminar activities.
My first class is Abyss with Toni Gerdes. This piece is a companion to her Fire and Ice and i think this piece is the better of the two. We began with the center front (short teal column which is actually done!) and worked towards the back left. We ended the day with the right center column. The rationale for working front to back is to establish the boundaries for the front columns before working those behind. You really can’t see how the columns overlap yet nor how the are like columns of ice. The stitches in each column are very interesting and the thread combinations wonderful. The challenge for me is not only working on Congress Cloth but doing the multi-layer stitches with very similar colors. Still, I love the piece and look forward to working the rest of the columns.
I was amazed how much work we got done today:
How many times do we start stitching with a needle, put it on a needle magnet, and then wonder what size it is. Generally, I can tell a size 20 versus a size 22 especially when they are side-by-side, but not always. And, yes, it is important to stitch with the correct size needle to help the thread through the canvas.
Here’s a great reference chart, courtesy of John James.