Author Archives: bglmom

Missing all of you


Back in May, I started to post an entry about my 2016 Stitch of the Month, which is finally finished.  Well life got in the way and the blog entry never got published.  Here is what it said:

“So I’m only five months behind, but I prevailed.  I am totally finished and framed with Stitch of the Month for 2016.  It is the ANG Stitch of the Month by Susan Hoekstra (a former NJNA member)  It is called Feuilles D’Ananas.  This is a fun way to stitch a project and I liked figuring out the variations on the turquoise color scheme.

I won’t be around much the next several months, so I won’t be able to attend our chapter’s official Stitch of the Month monthly gatherings.  However, I am hopeful to take a stitch or two of this year’s project, Tony Minieri’s “Stars for the New Millennium.”  I”ll keep you posted!  I wish a fun summer for all.”


Well, I am now addicted to the “Stars” piece.  I am having so much fun. Working on that design is keeping me from doing the baby knitting that I need done by September when my newest grandchild will be born.  I agree with Jill W., these colors make me happy!  I can’t wait to see how the next area showcases all of them .  My overdyed thread is Silk and Colors, 994 – Kaleidoscope.  All of it just pops!


So now I will really wish all of you a wonderful summer.  I will miss all of you in the fall while I help out with the big sister and brother and of course the new baby.  Grandchildren are the only thing that will trump my addiction on stitching the Stitch of the Month projects!  Happy stitching to all.


Winter travels, addendum


Oops, I totally forgot to comment on a stop I made on the way home from DC.  As per Linda M’s suggestion, I stopped at Hillside Stitchery in Stevenson, MD.  As I was driving, I could not understand where the shop might be since at the exit, one drives for a few miles in quite the bucolic setting.  Then all of a sudden there is this sweet little shopping plaza, in which the needlepoint shop resides.  The staff and owner couldn’t have been nicer.  They currently have a NeedleDeeva trunk show.  One of the staff members had stitched and displayed quite a few samples of the Needledeeva canvases.  I was quite taken with one of the faces she had done.  I did decide to purchase the canvas (again without the aid of an enabler).  So, the staff member allowed me to take a photo of her work and she also made a color copy of the canvas and wrote down the stitches that she used.  I could not believe how accommodating she was.  The shop also featured some totes in which you could put inserts or sew the canvas onto the front of the bag.  Great choices!  If you are going to see the Woodlawn exhibit, I highly recommend that you stop and take a look.  I wish the shop well and hope they have staying power.  They deserve it.

Winter travels


So, I have had some fun travel adventures this winter.  I apologize for no photos, but when I get any where near new fiber/stitching sources, I lose my head and forget to do what I want to do to blog.

So in February, we spent a little bit of time on both coasts of Florida visiting with friends.  First we ventured to Siesta Key which is a barrier reef island right next to Sarasota.  My host is not a needlework enthusiast, but she indulged me.  Boy, am I glad she did!  First stop was the Needlepoint Studio of Sarasota.  What a nice, welcoming, bright shop.  There were stitching stations all over the store, with lights and magnification.  I wanted to spend the rest of my vacation there stitching, but alas, I remained polite to my hosts.  There were beautiful canvases everywhere, lots of threads and a great assortment of books.  I added to my library with a purchase of The Handbook of Ribbon Embroidery by Ann Cox.  I’m very excited to have this well illustrated reference book as I am taking some lessons from Pam at Edwardian Needle in Silk Ribbon Embroidery.  I know this book will be helpful in the hours that I am away from Pam.

Down the road by no more than a 1/4 mile was A Good Yarn.  What a great yarn shop. This shop too was very bright, with lots of knitted samples and lots of sales help.  I also did damage in there.  My friend was not much help, as she was enabling me.  I was told that the two shops used be to be located right next door to each other.  If I lived there full time, I would just bring a cot and never leave.

Next we moved on to the east coast of Florida to Palm Beach Gardens.  This host is a fiber enthusiast (along with her daily golf obsession), so there was no twisting of arms to go take a look.  The needlework shop near where she is located was not such a good one, so I will not mention it by name.  However, while we were there, we unfortunately needed to make a condolence visit with another friend.  So we took a drive further south of where we were staying.  Of course, I was furiously googling needlepoint shops near “current location”.  I found a gem in Delray Beach, called Stitches by the Sea.  The shop is small but full of life and stitchers who crowd around working on their canvases.  Lots of bright cheery motifs with lots of Kreinik in them.  This shop had a Penny McCloud trunk show.  Without any enablers around, I managed to order a canvas of a funky looking face that I can’t wait to start on, once it gets here, of course.  The sample in the shop was so much fun, but stitch guides are not written down.  However, I was allowed to take photos of what was there.  I will not publish it here because I did not get permission for that.

March brought me to what will probably turn into an annual trek to see the Woodlawn exhibit.  I stayed with my dear friends in Chevy Chase and I spent the day that I went to Woodlawn with the “other” Barbara L.  We started out at the shop in Arlington called In Stitches.  I’m pleased to report that there are many more canvases available for purchase than last year.  There is also lots of cross stitch.  I did not notice if any of the charts were for canvaswork.  Again, everyone was cheery and helpful.  I was able to reign myself in at this shop.  We had lunch at Mt. Vernon and then headed over to Woodlawn.  Of course, Barbara and I had some fun with the registration lady when she asked for our names.  She did do a double take when we both used the same name!  We got there a few minutes late for the docent led tour of the winning pieces in the exhibit, but since the “other” Barbara L is friends with the retired ANG judge, Kathy Meyers, who gives the tour, we were allowed to join in.  Although this year’s exhibit is smaller than last year’s, the work is just breathtaking.  I am always so awe struck.  Kathy’s talk was so informative.  She pointed out that not all of the winning pieces looked complicated, but that the stitching was so superb, they were awarded ribbons based on their excellence.  The judging that takes place here is based on a system called consensus judging.  (Kathy, please forgive me if I get some of this wrong.)  The three judges have their sheets on which they tally marks in many areas and then award one ribbon for first place, and many ribbons for second, third and honorable mention.  The three judges then confer and and they must agree on how to award the ribbons.  At the ANG national seminar exhibit, the three judges write down their marks, they are added together and the highest number gets the blue ribbon, etc.  Little things like a wobbly stitch, shadows of threads in the back and even how the piece is finished can affect the marks.  Like things are judged together.  In other words, the cross stitch is not mixed in with the canvas pieces.  They do separate out soft finishes (like pillows) from hard finishes (frames).  Hopefully, I got this right.  But with the little I did glean from the talk, I have added respect for our chapter winners.  Kudos to you!

March will bring me another travel adventure since I am heading out to CA to babysit my “little people” while their Mommy and Daddy take a much needed break.  However, I start my trip with a class by Susan Portra at Luv2Stitch in San Mateo.  More about that next time!


As many of you know, I am often traveling.  Most of the time, I head to CA to visit with those precious little ones that I call grandbabies.  However, this spring I had a rare opportunity to travel twice to Europe.  The first trip was on a Craft Cruise riverboat cruise through the Netherlands and Belgium.  For those of you not familiar with Craft Cruises, they are a company that specialize in putting together cruises (both regular and riverboat) that specialize in one’s favorite craft.  This was my second time traveling with them.  Right now, most of their offerings are knitting related.  Since this is a needlepoint blog, for any of you more interested in that trip, PM me and I’m happy to gush and share my experiences.

My second trip was with my 90 year old mother-in-law (whose energy level makes me look pretty much dead), my two sisters-in-law and a female cousin.  This trip was a regular cruise through the British Isles.  Loved the countries.  I did bug my traveling companions a bit to stop at knitting stores.  However, I was also determined this time to find something stitching related.  Although I did not have time to visit the Royal School of Needlework, I did find the time to visit a charming needlepoint shop in London, thanks to the heads up of Cathryn C.  She directed me to a charming shop call Tapisserie.  I got there about a half hour before closing, but the store clerk was charming and did not make me feel rushed at all.  Although they had some canvases, their specialty was hand painted canvases that turn into beautiful and breathtaking evening bags.  There was a whole case of samples.  What they didn’t have in stock, they were most happy to have painted up and sent to you.  Of course, they also do a finishing service of making the purse for you.  Most of the designs were executed in tent stitch with beads put on top of the stitching.  However, for those of you adept at making a stitch guide, one could easily do a more embellished piece.  I’m including some photos for you of their interior.  Please enjoy the eye candy.  The one close up of a canvas is the one that had to come back to NJ.

It is a shop well worth the visit.  The neighborhood is just charming, so the visit is a win-win.  Please let me know about any other good traveling finds.  However, after those two trips, the only place I will be going for a while is to CA to visit those grandbabies.  Of course, that does mean an afternoon of stitching at Luv2Stitch in San Mateo.  More about that another time.

Finding a Good Framer


A long time ago on one of my visits to CA, I discovered a wonderful shop in Alameda, called Needle in a Haystack.  I remember looking at a number of wonderful charts for counted work, as well as drooling over a number of lovely threads.  Oh yes, I did end up buying a Stella lamp.  There is a lot there for the cross stitcher as well.  I’ve also dealt with the online store and have always received great service.  In addition, they send out a monthly newsletter that is quite informative.  With the owner, Cathe’s permission, I am reprinting an article from this month’s newsletter.  Given that the frame shop in Mendham is closing, I thought this information might prove to be timely.  Happy reading!

How To Find A Good Needlework Framer

Jan at Bay Stations Accents has been in school in Scotland for the past year and when she comes back this year I don’t expect that she’ll continue her framing business. Given she’s be doing my personal framing for more than 30 years I’ll be very sad, as I’m sure many of you who are local are. On my to-do list is to find a new local framer to recommend but it’s way down my priority list at the moment. So instead I thought I’d write about how to find a good needlework framer. I’m not going to cover questions about their sense of color or style since those are general framing questions.


Even if you find someone who has been doing needlework framing I think you should always ask questions and if possible, see some of their framed needlework. I am a very picky customer when it comes to framing so it has to been completely square or I’m an unhappy camper. Jan’s attention to detail in this regard was very important to me. So, what to ask a potential framer?

What is the base they attach the needlework to? What are the other materials used?


I prefer acid-free materials when at all possible, especially what the fabric is being wrapped around. I do my own mounting these days and I use acid-free mat board glued/taped to acid-free foam core. I almost always use a colored mat under my work since white isn’t always the best option. Typically I use a dark green or dark blue, especially on pieces with open work. Any mat on the top of the work is also acid-free. And if I use glass, it’s Museum quality. Acid-free reduces any possibility of things leaching into your fabric over time. Sometimes I use a batting to give the underside of the needlework some depth (in place of the mat board under it). For that I use a good quality polyester or cotton batting. You can always ask a quilt shop what’s the best to buy if you want something more archival quality. Many framers won’t have used batting so might not be familiar with it – so it’s a conversation to have with them.


How do they attach the needlework to the base?


If they mention sticky backed board, run away, very, very fast. Granted it has it uses for craft projects, even for things like tiny ornaments, but if you’re spending the money on framing, do not let sticky backed board get near your work. Not only is it not good for the stitching to come in contact with it, over time it will lose its hold and the project will buckle. When we were first open 18+ years ago one of our now long time customers loaned us her Dutch Beauty sampler to hang as she didn’t have room. After a year we noticed the fabric was sagging in the frame so we had Jan take it apart to fix it. She came over livid that the framer had stretched this masterpiece of a sampler onto sticky backed board. Getting it apart was a job but one we were happy to pay her to do to thank the customer for the loan (thanks Anna-Marie!). My point is, sticky backing has a very limited use but not for good quality needlework.


My preferred method of attaching work to the foam core is stainless steel pins and I learned this from Jan. Stainless Steel doesn’t rust so you can safely leave it in the side of the work (they go through the fabric into the side of foam core). Very few pins are made from stainless steel, most are nickel plated. I use Dritz Silk Pins or Bohin Stainless Steel pins, we sell both but you can find the Dritz ones in many fabric stores. Even with the pins in the side I either lightly lace or use acid-free tape to hold the back fabric in place. If you use just lacing to hold the work, which you can do, it many times puckers the fabric and over time can do a serious number on the fabric due to the tension on it. So I like the stainless steel pin method for a permanent hold that won’t pucker. If they want to use tape alone it won’t hold over time as the glue will eventually lose its hold, so it needs a more permanent method.


How do they align the project?


For my own work I put basting lines in my fabric where the edge of foam core would be, so I know I’ve stretched it straight onto the foam core/mat board backing. I just use sewing thread in a color I can see and can easily remove (don’t use floss since it can leave a residue when you pull it out). I rarely do this with needlepoint since typically I’m wrapping it at the edge of the stitching anyway. But you want to make sure the framer understands the importance of getting it completely square. You don’t want to get it back and find it’s off 2 threads from top to bottom, unless that doesn’t bother you – as you can guess, it bothers me :-).


If they use glass, do they use spacers and what type of glass?


I rarely use glass personally but there are times when it’s the right option. Make sure that they are using spacers so that the glass does not sit directly on the stitching. If you have a mat between the stitching and the glass you might not need spacers unless the stitching is very tall and would touch the underside of the glass. For heirloom quality work, use Museum glass, which is very clear. It’s more expensive but well worth it for those special pieces.


Do they block your work if it needs it?


It is very rare that a framer will block needlework since it involves a whole other skill set. But ask them if they do blocking and find out more about how they do that if they indicate they offer that service. Since most won’t, you might need to send it to a finishing service to have it blocked before taking it to the framer. For individual pieces that look like they need blocking, talk to the framer first to see if they think blocking is required. If it’s slightly out of shape it might not since the mounting base will help it keeps its shape. However if it’s seriously out of square blocking would likely be required.


How do they store your project?


While you might not think this is important, I believe you also want to know how your work is being stored before it’s being framed. If it’s crumpled up in some corner, perhaps you need another framer. If they wrap it up in tissue to keep wrinkles away and store it in a clean storage container, you might have more confidence in the rest of their work as well.


What do they charge and what is the turn around time?


I didn’t start with this since I think the other questions are more important to flesh out first. Custom framing is never inexpensive. And just because a framer charges a lot does not mean they will do a good job with needlework. So once you’ve determined that they might be a good framer for your projects, then is the time to find out the price of the work. Most framers will charge for mounting the work in addition to the actual framing. It’s the mounting work that’s really the hard part for needlework so don’t be shocked at seeing an extra charge for that. They might be able to do quick jobs or they might take a couple of months, but finding that out ahead of time is also useful.

If you feel comfortable with the framer and are not able to see samples of their needlework framing, take them something you aren’t as worried about to do as a first one. And if they are not willing to listen to constructive criticism, find someone else. This needs to be a two way street for awhile until you’re confident in them.


Another option is to learn how to do the mounting work yourself and then only have the framer do the frame and putting it all together. This is in fact what I do these days (granted I’ve not had much to frame of late since I’ve not finished as many projects as I’d like). I do private lessons on this occasionally for people who want to learn. Hopefully when my life settles down a bit I’ll do a video on this part.


For those of you who don’t mind sending your work away to get framed I can recommend Deb at Stitchville USA in Minneapolis, MN and Sandy at Attic Needlework in Mesa, AZ. Both do really great needlework framing work. Many other needlework shops around the country have their own framing department so that’s another avenue to check out.


I hope you find this helpful information for finding a good framer for your work. Don’t be afraid to ask questions – your needlework projects deserve the best!



Cathe Ray –

Needle In A Haystack

510-522-0404 phone

877-HAYSTAC (877-429-7822) toll-free

510-522-3692 fax

2433 Mariner Sq. Loop, STE 102

Alameda, CA 94501



I am very excited that for the first time ever I have two pieces of my work entered in an exhibition. I was encouraged by my fellow ANG chapter members to submit an entry to the Woodlawn Needlework Exhibition and Sale. So I dove in and sent two pieces down to the exhibit with Linda M and Mr. M.

There was no doubt I would go and look at all the needlework since I have a good friend who lives in the area. Of course the only time our schedules aligned, was for opening day. So off I went. It was a beautiful, but blustery day and I had the best time ever!

Upon my arrival the day before, I met with the “other” Barbara L. for lunch and a visit to Waste Knot in Arlington. We had fun getting to know each other better and of course shopping. The shop was quite nice. They had some threads I hadn’t seen before. It was quite funny that our respective husbands reminded us not to mix up the credit cards. 😀

The next day, I set off for Woodlawn. As one pulls up the drive, the mansion looks quite majestic.

Of course once I got inside, there was the usual confusion in regard to the “other” Barbara L. There was only one Barbara L listed in the program, so I had to explain there were two of us when I checked in. That Barbara lives near Woodlawn, so she has been involved with the exhibit for many years.

So, now I was inside the exhibit and there was such eye candy! The work across all media was really breathtaking. I saw cross stitch pictures that looked like photographs and stump work that had incredible detail. The gold work was amazing. I did find amusement that the morning guides were from the local garden club and I did a bit more explaining to them than the other way around. Yet, they were quite charming and lovely to chat with. They did explain some interesting things about one or two of the pieces in each room. One thing they did explain was that the ribbons had not yet arrived. So, on the name tags, the entries that won ribbons had different colored dots, indicating their place. Of course I couldn’t tell what the different categories were. I also over heard that people who had entries could have the guides get a docent and then they could take a photograph of their own entry.

You know I was really there to see the needlepoint, dot or not. I loved it! There is a lot of talent out there. Finally, I hit the dining room and there was my hydrangea piece hanging on the wall. I was excited!

Now, I started to look for the chapter display in earnest. It was no where to be found on the ground floor. I went upstairs and I still didn’t see them. Finally I went into a bright sunny room that had no furniture, but a whole uninterrupted wall for display. There they were! I also saw my second piece, which was a Tony geometric counted piece. However, I quickly looked away because I noticed Mary D’s piece ( I believe it is her Frankie piece) had a red dot on it! I was so excited for her. I quickly tagged the guide to find out what she had won and it is a second place. Sorry that I don’t know the category. Congratulations Mary! At any rate, I began to look at the wall in earnest and it was then that I noticed that my name tag had a red dot also. I kept looking back to make sure my eyes weren’t playing tricks on me. What great positive reinforcement for a first time exhibitor! I also noted with amusement that the “other” Barbara L. had a piece on the same wall. Thankfully, the two pieces were labeled correctly. I took one last look around and then I was off to In Stitches.

I had a very nice visit there and bought a few notions. I found a reproduction magnet with an embroiderer on it.

Keeping with the historic theme, I decided to visit Washington’s mansion at Mt Vernon. I think the last time I was there, I was about ten. Needless to say, the park service has made vast improvements. No photographs allowed inside, but here is a panoramic view of the Potomac.

For you knitting and weaving enthusiasts, here are some photos of the spinning room, which is an outer building.

Of course no day would be complete for me without a stop at a local yarn shop. I went to Fibre Space in Old Town Alexandria. What luscious yarn, some of which is locally dyed. However, I was able to stay on my yarn diet by focusing more on notions. They had a new needle that I had never seen before. It looks like a boomerang and is used in place of double point needles. Really interesting.

So my fun day came to an end. I felt really happy and satisfied. I encourage all of you, if you can, to go south and take a visit to Woodlawn.