Author Archives: bglmom

My trip to the Bay area, Part 2

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So now that I have regaled you with my celebrity sighting, the opening of a new shop and a picture of cute, young guy hard at work, let me tell you about another needlepoint day in my visit to the Bay Area.

What could be better than a field trip? In addition to my membership in NJNA, I belong to a few other chapters, that I “attend” mostly online and through email. If I could stay up late enough, I could attend some via zoom, but I’m an early bird. Back to topic. The only other chapter I attend in person is the Golden Gate Canvas Workers, a chapter that is soon to be 40 years old and based out of San Mateo, CA. As you can imagine, I don’t get to too many meetings, but when I do, they never disappoint.

I was very lucky this visit to be there during a regular meeting time. However, this was no regular meeting. About a dozen chapter members took a field trip into downtown San Fransisco. What a treat. Side benefit, not being from the area, I did not have to be one of the drivers. So three cars of chattering stitchers went into the city. First stop, the retail shop of Needlepoint Inc.

As many of you stitchers know, Needlepoint Inc, produces a luscious stranded silk thread in a Crayola style of many, many colors. In addition, Needlepoint Inc. (hereafter known as NI) does finishing of every variety and maintains a retail shop. In previous days, the shop was located in Ghirardelli Square, but has since moved to a location in the financial district. As soon as we entered the shop, one saw wall to wall samples of finished projects in every way imaginable. It was such a sight that I had no idea where to look next. Of course, it was also hard to miss the entire wall of NI silk thread. There are some varieties of thread from Rainbow Gallery and Kreinik as well, but the highlight is their own silk. The store is filled with many, many canvases, so a stitcher cannot go away empty handed. The owner came out to greet and chat with us and was very generous by allowing us observe work that was going on. That meant that we got to watch the finishers at work. How fascinating. I was taken in by the sewing machine that was sewing by itself. What I didn’t realize was that, that machine was busy monogramming. While that was going on, we watched an ornament being finished before our very eyes! So interesting. Enjoy some of the pictures below.

After a really yummy lunch, we then ventured to the San Fransisco School of Needlework and Design. I had been to their old location, and was wowed then. Since my last visit, they moved (within walking distance of Needlepoint Inc.) and was I in for a treat. Their new location is divine. I immediately had the same reaction I had the first time – where do I look first? My eyes could not help traveling all over the place. There was so much eye candy. I heartily recommend that you look at their website (https://www.sfsnad.org) to get the professional photos of what my humble snapshots tried to capture.

The school takes up a floor and has many breakout classrooms in addition to the shop and exhibit areas. There are very large windows giving lots of light, but when not in use, the windows have black out shades to protect the fibers from the sunlight. The collection room is thermally controlled with dim lighting to preserve the very old pieces that are housed there. There is a curator on staff, who researches and studies the pieces that are to be exhibited. While there, we saw some of the works for the next exhibit and they were breathtaking. They know who the stitcher is, but are still scant on details about her life. Perhaps by the time the exhibit runs, there will more to report.

In addition to being a school, running a myriad of classes, the organization has a permanent collection of really old and beautiful embroidered pieces as well as traveling exhibitions. I was lucky enough to see two different exhibits as well as talk to the curator of the next exhibit. There are jars and drawers filled with every thread imaginable as well as so many samples hanging on the walls. The course offerings go from intro classes to multi leveled studies that give you a certificate in a particular area of needlework. There were some methods of which I had never heard, but there were also the basics of embroidery, goldwork and the like. I know that if I ever move permanently to the Bay area, I will live at SNAD, just taking classes. There is an extensive library (mostly donated by patrons) with so many books on a variety of subjects. The school is still taking donations for their library, except for needlepoint books. Their collection is quite extensive already! The shop is filled with new items such as books, embroidery hoops, stands and bundles of silk thread put together in packets by color range. There are also donated painted canvases that are sold at a fraction of suggested retail as well as used tools. All proceeds go back into the running of SNAD. I wish I could be more explicit in all of my explanations, but I was too busy wandering around and looking, that I have to admit, I missed some of what was being said. The school accepts donations of every variety of thread, so that the student just has to go to the cabinet and find what they are looking for.

Last visit, I was privileged to see many bands for the longest band sampler, that SNAD is amassing. The woman touring me was amazed when I told her that I knew several of the stitchers of the bands. When I inquired this visit where the sampler was, I was told that the bands were out with volunteers who are sewing them together so that the bands could truly be the longest sampler. Hopefully the next time I visit, I will see it. The making of the sampler bands is on-going and anyone can participate. Please just check the website and/or call the school to inquire how you might make and donate one.

There are usually two exhibits going on at the same time. These exhibits rotate. One is a visiting exhibit and it hangs in the Hanging Thread Gallery. The one I observed did not even seem real. The work was breathtaking. The artist was from India and is named Asif Shaikh. He exhibited on the resurgence of needlework artistry in India. I will show you a few snapshots, but this work is better viewed on the website. Truly, do not miss this. The exhibit closes at the end of November.

The second exhibit is the Corridor Exhibit. This exhibit can only be viewed by walking around the hallway that is square with the classrooms on either side. It is usually a challenge that the school puts out and one creates their interpretation of the theme. The current exhibit is called “Purple Reign”. It was originally promoted as a celebration of Queen Elizabeth II’s Golden Jubilee. However, since then, it has taken on the tone of a memorial. The pieces are all original designs and I think most of them are really clever. Please enjoy the photos below.

Here are some pictures of classroom samples:

This is a sample of one of the pieces being curated for the next exhibit.

This is a teaching sample of a new piece designed by Lucy Barter, one of the founding members of the school.

Many, many thanks to SNAD for allowing me to take all these photographs. I really am sincere when I suggest that you go to SNAD’s website and look at all their eye candy. I also highly suggest that you arrange to take a field trip with some like minded folks. It was truly a wonderful. wonderful day.

My trip to the Bay Area, Part 1

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As many of you readers know, I visit the Bay area often. I have to see those “little people”, aka grandchildren, grow and thrive. However, as busy as I am driving carpools, attending soccer games, finding Halloween costumes and the like, I always leave time for needlepoint adventures. Most of the time those adventures are attending stitch-ins at someone’s home or in a shop.

Unfortunately, two of the area’s local shops closed during the past several months. It has been so unfortunate for the local stitchers as their easy access to supplies and a place to hang and be inspired, was sorely limited, until now.

The week before I arrived, “Stitched Up Needleworks” opened its doors in Morgan Hill, CA. Kay Lawless, the owner, had been managing one of the two shops that closed and decided the time was right for her to take the plunge and open her own shop. Boy, am I glad she did.

“Stitched Up” is a bright, airy shop filled with samples, trunk shows, growing thread walls (arranged by color) and even a classroom!

So I made two visits to the shop while I was on the west coast. The first was a reconnaissance mission (and to give Stuart and me some breathing room – we have close quarters while we are there). As I walked through the front door of the new shop, I was enchanted by the brightness and the inspiring decor of trunk show canvases, threads arranged by color and a bench with many, many pillows on it. I learned that the purpose of the pillows on the bench was so that a customer can choose how they want their pillows finished. How clever!

As I was moseying around the shop, I heard two other customers come in. It was hard not to eavesdrop as I heard one customer say to the owner, “I’d like to introduce you to the teacher who is going to teach our chapter this weekend. This is Margaret Bendig.” My ears popped and I immediately wondered if this was “the” Margaret Bendig”, who designed the wonderful kimonos that we all stitched together as a chapter. So, I plunged right in and went over and used the words above, “are you the Margaret Bendig, teacher and designer? I then explained I was visiting from NJ to visit with grandchildren and that I was part of the chapter who stitched her kimonos. Of course, I immediately pulled up my finished project on my phone and showed it to her. It turned out Margaret was visiting grandchildren too in the Bay area, as well as teaching. Margaret is the one on the left. I didn’t know I needed my platform shoes that day!

The woman who was introducing Margaret was Pam Thompson of the South Bay Needlepointers ANG chapter. Margaret was there to teach “Star Dance”. The photograph below doesn’t begin to do it justice. I bet the chapter members lucky enough to be in the class had a really good time!

Here is my favorite piece of decor in the shop (besides all the antique cabinets!):

While I was at the shop, I found a product that I had never seen. How could that be?! It is a darling project/thread bag made by “It’s Sew Emma”. These are made out of needlepoint canvas with a diagonal printed plaid on it. One could use them by themselves, but even better, Shephard’s Bush has created cross stitch designs with which you can decorate your bag. I have already shown the bag to Pam at Edwardian Needle. She is considering having them in her shop, so if you have an interest in obtaining one, make sure to let Pam know, so she will order some.

On my second visit to the shop, I was there mostly to stitch, however, there was an interesting project going on in the classroom. There was a young man (at least to me) doing something in front of an enormous white box. When I inquired, he told me that he was photographing threads for the soon to be online shop for Stitched Up Needleworks. I asked permission to photograph him at work and promised to show his boss that he was working hard.

So I hope you enjoyed my celebrity sighting, the new projects and most of all the tour of the newest Bay area needlepoint shop. Stay tuned for part II of my trip to the Bay area.

“Almost” back to normal

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I finally took the plunge and took a needlework class, my first since Covid began. I held my breath (figuratively), masked up and went to Luv2Stitch in San Mateo, CA. Yes, yes, I know for me there is a lot more draw to CA than a needlework class! (Read that as time with the “little people”, aka grandchildren). However what could be better than combining one’s two loves?

The visiting nobility was Deborah Merrick-Wilson teaching two days of goldwork. The project is called “A Taste of Tudor”. With Deborah’s permission, I am publishing a photo of the finished project. The other photo is my attempt at goldwork. I made some progress, but with metal threads, it’s slower stitching than usual.

Deborah’s interest in gold work goes back to childhood when she fell in love with the “patch” of gold on an uncle’s blazer. She went on to become an expert in dimensional embroidery and traditional and interpretive goldwork. She has received numerous awards for her work. One can read more about Deborah’s numerous accomplishments on the EGA website under events (more about that later.)

Deborah’s style of teaching is what made me so excited. She breaks downs an area of the design into smaller chunks, so that the execution of that section of the design made total sense. Her pacing was spot on. We covered prep work, followed by execution of some of the stitches, but we did not rush. At the end of the second day, Deborah spent the last half hour going over the stitch guide and explaining in detail the areas of the design that had not been covered in class. I did not walk away thinking I will never be able to do this. Instead, I felt as if I had covered enough basics to help me through the remainder of the design. Of course, we shall see how I progress! One can’t leave a goldwork design to languish in the closet because the metals do start to change colors and one wants their piece to age at approximately the same rate.

So now on to why I mentioned EGA in an ANG sponsored blog. Deborah was in the process of retiring when the pandemic hit. This class was supposed to have been taught in 2020. Thankfully, Deborah did two make up sessions last week and this past weekend. That way the class was divided in half so that we had more room to social distance a bit. When Deborah was asked where else she might be teaching, she informed us that probably her last class taught would be as an extended study program for EGA early this spring. That event, which might be her last teaching gig, is to be held in March of 2022 in Alexandria, VA. One can find more information on that event on the EGA website.

So it is hard to tell whether all this excitement of mine is due to the fact that I was actually sitting in a classroom again. (I love, love taking classes) or because I was enthralled with the material. I suspect it is a little of both!

What a fun day!

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As many of you already know, I spend a lot of time in CA so that I can visit with my “little people”, aka grandchildren.  It’s always a lot of fun, but when I’ve had enough of their childhood exuberance, I turn to needlepoint to bring me some adult amusement and serenity. I am so fortunate in that I have a home away from home when I go to stitch at the local store in San Mateo, called Luv2Stitch.  Hanging out there has meant that I have met some wonderful fellow stitching enthusiasts, or should I say addicts?!  With their encouragement,  I found my way to joining the local chapter of ANG, the Golden Gate Canvas Workers (GGCW).

One of the really nice “side” activities that GGCW has is a monthly stitch-in at various members’ homes.  I had the privilege of spending the day yesterday at the home of Lois Kershner, the current President of GGCW.  Many of you readers will recognize that name since Lois is a long term national teacher for ANG and other well known needlework organizations.  What a delight!  Not only is Lois a most gracious hostess, her vision and creativity is unique and beautiful.  I have never had the privilege of taking classes with Lois, but I know many of you have.  You have been enthusiastic about her Threadscapes, where she reproduces a photograph from one of her travels onto the canvas and one stitches the stitch design over the photograph.  These designs are so different and beautiful.

So, all day, my eyes were filled with delight as I was able to gaze at many of her works that grace her walls.  There are some very so so snapshots below that I took,IMG_1078IMG_1077IMG_1076IMG_1075IMG_1074IMG_1073 of what was up on her walls yesterday.  Apparently, she rotates her works of art. With a little encouragement from us, Lois took out of her cupboards her other teaching samples.  What fun.

Then  . . . Lois announced that 2020 would be her last year of traveling teaching as she was getting ready to retire (GASP).  So, she is having a pre retirement sale of all of her teaching pieces, that she calls Threadscapes.  She is making kits of her designs with either the photograph on the canvas or a chart and description of the design. The only thing not included is thread.  I’m so excited in that even though I may never get a chance to experience Lois as a teacher, I will at least have some of her designs with which to play.  And – if I run into a problem, I know where to find help.

All in all, it was a really fun day.  If anyone is interested in looking at what Lois has for sale, the information is found on her website at http://www.loiskershner.com.  And yes, my fellow NJNA stitchers, I am bringing home some brochures for you to peruse when next I see you.

Please note, I am not Lois’ agent and she did not ask me to write this.  I was just so excited by my fun day, that I had to share.  Hope all of you are having fun stitching days too.

A Fabulous Way to Spend a Saturday

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As many of you know, I spend a lot of time in the Bay area of CA visiting and helping out with my “little people.”  One would think that I am hopping in and out of San Francisco to explore and enjoy the culture and fun.  However, in truth, I have only been to the city a handful of times.  It’s busy, busy in my daughter’s household, so I often don’t go to the city and visit.  However, there is one thing that could lure me in and of course that one thing is needlework.

San Francisco is host to the three year old San Francisco School of Needlework and Design.  (aka SNAD) (https://www.sfneedleworkanddesign.org)  I have been curious about the school, but since right now the main focus seems to be on embroidery, and not much canvas work, I had not made the trek into San Fran to take a look.  Until now.

When I am away from NJ, I usually spend one day a week stitching at Luv2Stitch in San Mateo.  Recently they had a brochure for an exhibit by the artist Katie Strachan at SNAD. It is called “This Lovely Green”.  It features a lot of gold work, so I really wanted to go and have a look.  I figured out Caltrain from the burbs to the city and twisted the arm of a cousin who lives north of the city to come and join me.  She picked me up at the train station and we were off for our adventure.

We picked a good day because there were no classes going on and it was a quiet day of catch-up (until I got there!) for the program director and co-founder, Lucy Barter.  What a charming and energetic woman Lucy is. She is quite a bit younger than me and my peer group, which in itself is fabulous.  We all worry about how the needle arts are going to be passed down to another generation and it seems that Lucy and SNAD are providing the answers.

Lucy is from the UK and is certificate trained by the Royal School of Needlework from across the pond.  She had been teaching day classes all over the area, but wanted more of a center where people would come from all over to learn.  She has created that in SNAD.  So far, they have had participants from 40 states in the US as well as several countries.  When one first walks in, there is no much eye candy, it’s hard to know where to look.

The first thing Lucy did when she learned that I was from NJ was to show me all the sampler bands that have been submitted by our local EGA members for the school’s on going project. They hope to create the longest band sampler in the world.   My cousin couldn’t believe that I knew most of the needle artists whose work was in the folder.  Lucy made me promise that I would tell all of you who donated, that the bands were going up on display that very day.

The exhibit was in the main room where there is also a small store and a library of many, many donated books.  Katie Strachan’s work is not to be believed. It is so intricate, delicate and outstanding that it doesn’t begin to look as if it was created by human hands.  I’m going to try and insert as many photos as I can.  Not only was there exquisite gold work, but  the tiny, gorgeously created stump work, made these works of art delicate and realistic.  I have worked some intricate patterns, but my work looks like a crow bar next to these confections of Katie’s.

When we ran out of oohs and aahs, we moved on to the two classrooms where the student work is displayed.  There was a lot of gold work, but some other “one stitch” wonders from the sample classes that the school offers.  I may attempt another trip into the city in the fall to take a needle painting class. There are so many wonderful classes, that one doesn’t know where to begin.   They even have a certificate program if one wants to go to that level.  I asked about canvas work and Lucy reported that she is starting to teach beginning canvas work.  In fact, the last canvas work class that she taught was comprised of all men.  In general, Lucy reports that there are as many millennials in the classes as the silver haired ladies.  Her many evening and weekend offerings allows the working folks to also participate.

I already informed Stuart that if we ever really do move to this area, that I will be taking classes galore and volunteering at the school.  Of course, I would have to have time for both needlepoint and embroidery.  Oh, then where would the “little people” fit in?!  Such a wonderful dilemma.  If you are visiting the Bay area, I highly recommend a stop at the school.  Lucy was more than gracious, especially with my constant peppering of questions.  I do thank her and am so happy at her success.  Hopefully this success will continue for many, many years to come.

After SNAD, my cousin and I had a real “ladies” lunch to celebrate our respective birthdays, which are in August.  From there, my cousin really indulged me and we took a ride share trek to the Needlepoint Inc. store.  I had been to the store’s original location which had been in Union Square, within blocks of SNAD.  However, a few years ago, they moved to Jackson Street, near the financial section.  On a weekend, this part of town was quiet.  We were greeted quite friendly.  The store has many, many canvases, but most are on 13 mesh, so (luckily) I was not tempted.  Needless to say, there is a whole wall of Needlepoint Inc. stranded silk.  They also have some Rainbow Gallery threads.  I was able to pick up some of the silk that I needed for a new project that I am trying to get off the ground.

By this time, it was time to take the train home, which had its own adventure.  One of the passengers waiting for the train went into a seizure and fell down hitting her head.  There were many that stepped forward to help out until the paramedics arrived.  It was nice to see so many good samaritans.  Other than witnessing the distress of that poor lady, the day was a complete success.  I hope you will go and visit SNAD.

Drats!  My computer illiteracy is showing again.  I am having so much trouble inserting more of the  (many) photos, so please take my word for it that this work is exquisite.  If you see me in person, please be sure to ask me to show you the photos.  So sorry readers!

Needlepoint Geography

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As many of you local folks know, I spend a lot of time in CA with my “little people”.  My last trip there coincided with the celebration of the spring major religious holidays.  In my case this meant celebrating at a Passover seder.  Now in Jewish culture (not religion) we have a “thing” called Jewish geography.  It is similar to Kevin Bacon’s six degrees of separation.  In it, when we meet someone new, we begin by finding out their geographical history, immediately followed by, do you know “ so and so”?  Inevitably we find some distant way in which we are connected. Now bear with me, this blog entry is not about Jewish geography, but really is about needlepoint geography and friendship.

It just so happened that on the second day of the Passover holiday, I had two invitations for the seder.  My daughter’s sister-in-law and brother-in-law were hosting a kids’ seder.  My sister-in-law and brother-in-law were hosting an adults only seder.  So I figured out a way to attend both.  

Since I was arriving late to my sister-in-law’s and brother-in-law’s seder I knew the religious part would already be underway. So, I tried very hard to enter the room as inconspicuously as possible.  Rather than climb over people to my assigned seat, I just plopped myself down in an available seat at the end of one of the tables.  I knew the woman to my right, but the woman to the left of me had her head down and so I paid her no attention.

After a bit I got up to use the rest room.  As I was returning to the table, the woman who had been to my left got up and whispered to me, “Barbara, I know you.”  It took me a moment to place her since she was out of context.  I soon realized that this woman was Deb R.  I knew her from the shop in San Mateo, Luv2Stitch, where I hang out to stitch while visiting the west coast.  She has also been present at the few ANG chapter meetings out there that I have managed to attend.

As I was thinking to myself, but trying to not say, “what is she doing here?”, Deb asked me that very question.  I paused and said, uh, my husband is Marcia’s (our hostess’) brother.  At that point, Deb said, “get out.  I’ve been in this family for 32 years.”  To that I replied that I had been in the family for 44 years.  Now my curiosity was really piqued.

For many years I had heard my brother-in-law speak of his Long Island, NY childhood friend, “Rocky”, who lived on the west coast and helped to ease the family’s transition when they moved to the the Bay area back in the ‘70s.  I believe I even met Rocky’s mother at another long ago seder.  So I was a bit more than surprised when Deb asked if I had ever heard of Rocky.  I said, “of course!”  It turns out that Deb is Rocky’s (aka Joe’s) wife.  We were both thunderstruck.

By now the religious part of the meal was over and visiting time really began in earnest.  

During the year or so in which I became acquainted with Deb, we had happily been sharing wedding planning notes since her son got married the same weekend that our daughter did, last fall.  At some point, my brother-in-law Elliot came over and Deb suddenly said to him, “that’s why you didn’t come to our son’s wedding!”  The connections went on from there.  Deb was sharing how her daughter was a speech therapist.  I started to laugh and told her that so was mine.  At that point, Rocky chimed in that their daughter had consulted my daughter several times before deciding to enter the field.  Deb and I were further amused!  

Needlepoint shops, ANG chapters, shared wedding weekend and daughters in the same field made this out of context encounter so much fun!  I think in that short hour and a half I went from having a very nice needlepoint acquaintance to having a lovely, fun needlepoint friend.

Now that is how needlepoint geography works!

Nashville Needleworks

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As most of us do when we travel, we scout out local needlework shops.  I am no exception and recently found a jewel of a shop called Nashville Needleworks owned by Connie Camp.

It is a lovely, bright welcoming shop with two rooms.  One has a large table around which stitchers are always seated. There are hand painted canvases all over the shop of varying subject matter.  What struck me the most was the abundance of thread.  There were one or two threads I could not get locally, but there are walls of all the different color ways.  The picture on the bottom left is just Kreinik.  I did not end up purchasing a canvas, but did buy a kit for a frame weight that had been from a class taught at the shop in regard to beading.  I’d love to start that project soon, but the queue is rather long at the moment.  Of course, I did the obligatory magnet needle minder purchase as well.  Brenda Soffit is going to be teaching a remarkable rabbit that employs needle felting.  I’m sorry I did not get a picture of that.  It was so special that the rabbit was under a glass dome.

 

The store is known for its needlepoint retreats that are only open to out of owners.  Information on those can be found on FaceBook or call the shop.  If you are ever in the area, I highly recommend a visit!

Needlework Friendships

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As most of you have realized by now, being a needlework enthusiast brings with it, its own brand of friendship.  The non initiated think of needlework as a solitary activity.  It certainly can be that and many of us relish that alone time doing repetitive movement and creating at the same time.  However, the uninformed are astounded when I say, that needlework for me has a huge social aspect.  I have dear friends across the country that I have made over the years at conventions, classes, from guild memberships and stitch-ins.  Perhaps the dearest friendships of this type are with three ladies from my time spent on the national board of the Smocking Arts Guild of America (SAGA).  We met in 1985 as each of us was going on to the board for the first time. (Technically, one of us came onto the board a year or two later, but we never seem to keep the facts of that story straight.)  Let me introduce you.  I (Barbara) am from NJ.  Bonnie is from Wisconsin, Cary is from Alabama and Regina is from the East End of Long Island.

This friendship of ours certainly defies all odds.  We are from different parts of the country, have different religious and political beliefs, had very different professional aspirations and have led very different lives.  We have no idea what binds us together so tightly, but it is quite evident that there is an abundance of chemistry.  We may not speak for months at a time, but when we do, we pick up right where we left off.  Our largest claim to fame are our giggles.  There are lots and lots of those.

We meet usually once a year.  Formerly, we always got together at the annual SAGA convention, but as our needlework interests migrated we breached out and started meeting in other places.  For many years, the ladies came to Long Beach Island to my beach house, but when I sold it (to spend more time in CA with the “little people” ), we had to get creative again.  It can take us months to plan (just coming up with mutually convenient dates is quite the challenge) but there is not much that keeps us away from our appointed get together.  I missed once because of a death in my family and one time Cary got as far as Charlotte and then the flight was canceled due to weather.  This year it looked as if Bonnie wouldn’t make it because of a blizzard in Wisconsin, but somehow she got there at the appointed hour.

So where did we go this year?  We went to Nashville.  Now one might think we saw the Country Music Hall of Fame or that we took the tour of the Grand ‘ole Opry, but you would be wrong.  What we did mostly was scout out yarn stores and the one needlepoint shop, Nashville Needleworks (more about that in another shorter blog entry) and hang out in our suite hotel to knit, stitch and laugh. Cary’s grandmother was from Nashville so we did do some driving to see some of the mansions and horse farms off the beaten track. No honky tonk nightlife for us.

We all cherish this friendship and will be devastated when we can no longer manage these trips.  We are always up for suggestions on places to go.  However, SAGA turns forty this year.  We are hoping to make an appearance at the convention in the fall to honor the legacy of SAGA and more importantly the treasure of our friendship.

I will attempt to upload a photo of us at a yarn store in Nashville called Bliss.  That is such an appropriate adjective for how we feel about each other.  From left to right, standing is Bonnie followed by Cary.  Seated on the left is Regina and on the right, yours truly.  Now let’s hear about your needlework friendships.IMG_0246

My Home away from Home

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Every other month, I go to the Bay area in CA for an a couple of weeks to spend time with my daughter, son-in-law and my “little people”  There are three of the latter, ages 7, 5, and 1.  As you can imagine, it’s a very busy household, so that is why I go so frequently.

Sometimes it is a little difficult (notice the little – after all I’m with the “little people”) being away from my normal routine, which includes hanging out with my stitching friends at Edwardian Needle.  However, I am really a lucky stitching soul.  I have found a home away from home.

Located about a half an hour’s drive north from where my daughter lives in san Mateo, is a gem of a shop called, Luv2Stitch.  It is owned by Dale Lenci, who is also the owner and creative designer behind DJ Designs.  His canvases are really beautiful.  At any rate, the retail shop has been quite warm and welcoming, as are the “regulars”.  I have been made to feel at home.  So every Wednesday when I am in the Bay area, I declare it my day off and I go and stitch.  Luv2Stitch is open late on Wednesday evening, so if you have the stamina, one could stitch from 10 AM to 8 PM if they like.  I’ve gotten close a couple of times, but I usually can’t last that long!

The shop has such a nice aesthetic.  It is filled with beautiful antique furniture as well as practical  furniture.  There is a stitching room with bright light and large tables.  In the next room there is a bead bar and some cushy sofas as well as a break front featuring finished samples of stitched boxes and picture frames.  The third room is the thread room.  There is a lot of eye candy on the walls and always so many canvases from which to choose.  There are many classes that are offered with national teachers.  I’ve arranged my west coast visits around some of those.  I’ve had classes with Meredith Hahn Willet and Susan Portra.  They were wonderful and I learned so much.

The staff of Rhonda, Irene and Sarah are always so helpful. Dale is extremely knowledgable and of  course if you need a bit of redesigning done on your canvas, he is your man!

I encourage you to visit Luv2Stitch when you find yourself in the San Fransisco area.  Here is their info:

715 Bermuda Dr
San Mateo CA 94403

‭(650) 571-9999‬

https://luv2stitch.com

My time at the ANG seminar, part 2

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So, I was one of the lucky ones who was able to register for the Canvas Investigations Class with the Embellishment Squad, Tony Minieri, Meredith Hahn Willet and Debbie Stiehler.  Usually they are joined by Suzanne Howren, but unfortunately, she was ill and could not attend.  Previously, I’ve had classes with Tony and Meredith, but never together.  What fun!

There were four of us at a table with about 50 stitchers in the room.  We were each given a very extensive handout with diagrams of all the stitches to be used by students in the class, added to the stitch diagrams from other classes.  That plus the required “Stitches to Go” book by Suzanne Howren were all that was needed to execute the stitch plan.  The teachers rotated among groups of tables, but switched after lunch which tables they were servicing.  Each of us had previously selected our canvases and we were given some stitches and areas on which to stitch.  As the teachers went from student to student, they helped with the execution of stitches, but also designing stitches for the other areas.  I send a huge shout out to Lori, the owner of Waste Knot for supplying us with needed thread for the next day for the areas that had newly been covered.  She did a great job!

One fun part of having so many multiple teacher perspectives, is that you can learn different ways to execute a stitch.  I learned three different ways of approaching Or n’ue. By George, I think I’ve (finally) got it!  Here are some progress photos of my canvas.

 

As many of my local fellow needle enthusiasts know, I travel a lot.  Seminar weekend proved to be no exception.  I had to leave the seminar for a short period of time to attend a wedding.  I’ve known the bride since before she was born, so I really wanted to be there.  However, since I was missing Vendor night, I was a bit bummed.  So, of course, when my hubby said he was going to take a nap before we got ready for the wedding, I took off.  Just a mere five miles away from our hotel was a shop in Merrick, NY called Needlepoint Nook.  The owner of the shop is good friends with the aunt of the bride.  So, we had a great time chatting.  I indulged and bought a Funda Scully canvas for one of the little hinged boxes.  So now I was a little less bummed about having to leave the seminar for that short period of time.

Thanks to hubby’s vacation that week and him usually being a pretty good guy, we drove back to DC in time for the afternoon class session on Sunday and both sessions on Monday.  Since the instruction is so individualized in my class, it felt like I didn’t really miss that much for my class.  The teachers were able to finish giving me ideas for the canvas and I have enough information to finish, when I get more time to stitch!

All in all, I had a great time with all that I did.  Sigh – a really happy one.